” Maria occurs twice as the text distinguishes women present at the crucifixion scene by descriptive identifiers.
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Meaning, Biblical Use & Significance

Exploring the Meaning of Maria in Greek

Μαρία Maria (mar-ee’-ah) Proper noun, person

Μαρία (Maria) means “Mary” and appears 54 times in Scripture, including in Matthew 1:16; 2:11; 13:55; 27:56; and 28:1.

Meaning

Μαρία is the Greek name translated “Mary.”

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Gospel Occurrences

In Matthew, Mary is named as Jesus’ mother (Matthew 1:16; 1:18; 2:11; 13:55).

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Other Marys

Matthew also mentions Mary Magdalene and “the other Mary” near Jesus’ burial and resurrection (Matthew 27:56; 27:61; 28:1).

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Maria is the proper name “Mary,” used in narrative settings to identify several women connected with Jesus’ birth, family, death, burial, and the visit to the tomb. In these passages it functions as a key marker of relationships (“his mother,” “the mother of…,” “Magdalene”) and as a way the writers distinguish between women who share the same name.

” Maria occurs twice as the text distinguishes women present at the crucifixion scene by descriptive identifiers.

Occurrences

Matthew 1:16: “Jacob became the father of Joseph, the husband of Mary, from whom was born Jesus, who is called Christ.”

Maria here anchors Jesus’ genealogy at the point where the line arrives at Joseph and then turns to Mary as the one “from whom was born Jesus.” The name identifies her within a family chain and sets her in relation to Joseph (“the husband of Mary”), while also placing her at the immediate narrative threshold of Jesus’ birth.

Key insight about Exploring the Meaning of Maria in Greek

Matthew 1:18: “Now the birth of Jesus Christ was like this: After his mother, Mary, was engaged to Joseph, before they came together, she was found pregnant by the Holy Spirit.”

Maria is paired with the explicit role “his mother,” so the name is not merely a label but a family designation within the birth account. The verse situates Mary in a defined social and temporal setting—engaged to Joseph, before living together—and makes her the subject of the discovery of pregnancy “by the Holy Spirit.”

Matthew 1:20: “But when he thought about these things, behold, an angel of the Lord appeared to him in a dream, saying, “Joseph, son of David, don’t be afraid to take to yourself Mary, your wife, for that which is conceived in her is of the Holy Spirit.”

Maria appears in direct address, as the angel names the woman Joseph is to “take to yourself.” The name, joined to “your wife,” highlights the personal and legal relationship being affirmed, while the line “that which is conceived in her” keeps Mary central to the explanation of the conception’s origin.

Matthew 2:11: “They came into the house and saw the young child with Mary, his mother, and they fell down and worshiped him. Opening their treasures, they offered to him gifts: gold, frankincense, and myrrh.”

Maria is presented in a domestic scene (“into the house”) alongside “the young child,” with the clarification “his mother.” The name locates Jesus within a household unit, and it places Mary as present witness to the visitors’ worship and gift-giving, even though the gifts are offered “to him.”

Matthew 13:55: “Isn’t this the carpenter’s son? Isn’t his mother called Mary, and his brothers, James, Joses, Simon, and Judas?”

Maria is used in local questioning that identifies Jesus by ordinary family ties: “carpenter’s son” and “his mother called Mary.” The name functions as part of a recognizable family profile, reinforced by the listing of brothers’ names, and serves the speakers’ attempt to place Jesus within familiar social categories.

Matthew 27:56: “Among them were Mary Magdalene, Mary the mother of James and Joses, and the mother of the sons of Zebedee.”

Maria occurs twice as the text distinguishes women present at the crucifixion scene by descriptive identifiers. “Mary Magdalene” uses a toponym-like designation, while “Mary the mother of James and Joses” uses maternal relation, showing how the name requires qualifiers in a crowd where more than one Mary is present.

Matthew 27:61: “Mary Magdalene was there, and the other Mary, sitting opposite the tomb.”

Maria appears as “Mary Magdalene” and as “the other Mary,” a relational label that depends on the prior mention of more than one Mary. The name here marks presence and posture—both women are “sitting opposite the tomb”—and ties the Mary-figures to the burial location as observers.

Matthew 28:1: “Now after the Sabbath, as it began to dawn on the first day of the week, Mary Magdalene and the other Mary came to see the tomb.”

Maria is again used for the paired visitors to the tomb, maintaining continuity from the burial scene into the first-day visit. The name identifies the ones who “came to see the tomb,” linking the Mary figures to careful attention to Jesus’ burial place across time markers (“after the Sabbath,” “began to dawn”).

Mark 6:3: “Isn’t this the carpenter, the son of Mary, and brother of James, Joses, Judah, and Simon? Aren’t his sisters here with us?” They were offended at him.

Maria here appears within a skeptical assessment of Jesus’ identity: he is labeled “the son of Mary” and is placed among named siblings. The name serves as a family locator in a context of offense; the crowd’s familiarity with Mary becomes part of their framework for rejecting Jesus’ significance.

Mark 15:40: “There were also women watching from afar, among whom were both Mary Magdalene, and Mary the mother of James the less and of Joses, and Salome;”

Maria is again doubled, with qualifiers that distinguish the women at a distance. “Mary the mother of James the less and of Joses” uses maternal relationship to specify which Mary is meant, and the scene emphasizes steadfast observation—“watching from afar”—as a shared action among these named women.

Mark 15:47: “Mary Magdalene and Mary, the mother of Joses, saw where he was laid.”

Maria identifies two women as witnesses of the burial location: they “saw where he was laid.” The second Mary is specified by her relationship to Joses, and the use of the name in this sentence makes the women’s seeing an anchored, reportable observation rather than an anonymous crowd detail.

Mark 16:1: “When the Sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, bought spices, that they might come and anoint him.”

Maria appears in the list of those who prepare to honor the dead through action: buying spices with the intention “to come and anoint him.” The qualifiers continue to distinguish which Mary is in view (“Magdalene,” “the mother of James”), and the name is tied to purposeful movement from preparation to intended visit.

Guide to Exploring the Meaning of Maria in Greek

Sense and Usage

Across these passages, Maria operates as a personal name that gains much of its narrative force through attached descriptions. The writers regularly add relational or identifying phrases to specify which Mary is meant: “his mother, Mary,” “Mary, your wife,” “Mary Magdalene,” “Mary the mother of James and Joses,” and “the other Mary.” These appositions are not decorative; they control reference in scenes where multiple women share the same name and where a woman’s connection to Jesus (as mother) or to other named people (as mother of sons) is crucial for clarity.

Within the birth narratives (Matthew 1:16, 1:18, 1:20; 2:11), Maria is consistently placed in close relation to Joseph and to Jesus. The name sits beside terms that define household and kinship (“husband,” “engaged,” “your wife,” “his mother”), and it is tied directly to statements about conception and birth (“from whom was born Jesus”; “she was found pregnant by the Holy Spirit”; “that which is conceived in her is of the Holy Spirit”). In these lines, calling her Mary is part of presenting concrete people—Joseph, Mary, the child—in a coherent account.

In the hometown identification scenes (Matthew 13:55; Mark 6:3), Maria becomes a point of familiarity. The crowds invoke Mary’s name to situate Jesus within ordinary family life: he is “the carpenter’s son,” “his mother called Mary,” “the son of Mary,” and he has brothers (and, in Mark, sisters). Here the name functions as a social reference, a way for speakers to claim they know who Jesus is by knowing the family to which Mary belongs.

In the passion and burial-to-tomb sequence (Matthew 27:56, 27:61, 28:1; Mark 15:40, 15:47, 16:1), Maria repeatedly marks women who remain present at key moments. The narrative emphasizes their locations and actions: “watching from afar,” “sitting opposite the tomb,” “came to see the tomb,” “saw where he was laid,” and “bought spices.” Because multiple Marys appear, the repeated name with differentiators (“Magdalene,” “the other,” “mother of…”) creates a stable set of witnesses moving from crucifixion to burial to intended anointing.

Imagery

In these texts, Maria is associated with quietly insistent presence in ordinary places: a home where a child is seen with his mother (Matthew 2:11), a community where family ties are recited (Matthew 13:55; Mark 6:3), and the area of the tomb where women sit, see, come, and prepare spices (Matthew 27:61; 28:1; Mark 15:47; 16:1). The name repeatedly appears at moments when the story turns on who is there and what they observe.

Sources: Lexical data from Strong’s Exhaustive Concordance and the Translators Brief Lexicon of Extended Strongs for Greek (STEPBible, CC BY). Occurrence data from the Translators Amalgamated Greek New Testament (STEPBible, CC BY). Scripture quotations from the World English Bible (public domain).

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